Jud Bergeron, Shiver, 2017. Fabricated wood and automotive paint. 108 x 61 x 26 in. Courtesy Nancy Toomey Fine Art.
Lava Thomas, Freedom Song #2, 2018. Tambourines, Pyrographic calligraphy on leather, suede, grosgrain ribbon, mirrored acrylic disc. 72 x 145 x 2 in. Courtesy Rena Bransten Gallery.
Tameka Norris (T.J. Dedeaux-Norris), Pass Rd #2, 2015. Found fabric, human hair, found objects on wood panel. 40 x 60 in. Courtesy Rena Bransten Gallery.
Gay Outlaw, Jersey Twist, 2004. Wool felt, foam, thread. 33 1/2 x 13 x 21 in. Courtesy of the artist.
Aïda Muluneh, Captive Conscience - Part Two, (Memory of Hope Series), 2017.
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Bovey Lee, Power Plant – The Butterfly Dream, 2008. Chinese rice paper.50 3/4 x 35 3/4 in. Courtesy Rena Bransten Gallery.
Zarouhie Abdalian, brunt (ii) Installation, 2017. Steel tool head. 4 3/8 x 1 5/8 x 1 5/8 in. Courtesy Altman Siegel.
Zarouhie Abdalian, brunt (ii), 2017. Steel tool head. 4 3/8 x 1 5/8 x 1 5/8 in. Courtesy Altman Siegel.
Sandow Birk, Clearing the Brush from the Temple of Unbelief in the series "Imaginary Monuments,", 2018.
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Vik Muniz, Surfaces: Gibi, 2020. Mixed media, one of a kind. 54 1/2 x 78 in. Courtesy Rena Bransten Gallery.
James Shefik, Hollow, 2020. Wood, rope, paint. 20 x 42 x 72 inches. Courtesy Jack Fischer Gallery.
James Shefik, Hollow detail, 2020. Wood, rope, paint. 20 x 42 x 72 inches. Courtesy Jack Fischer Gallery.
Sandow Birk, Monument to the Constitution of the United States in the series “Imaginary Monuments”, 2011-2012. Direct gravure etching on nine copper plates printed on nine sheets of handmade gampi paper, joined and backed with sekishu kozo paper. Co-published by Mullowney Printing and Catharine Clark Gallery, San Francisco. 48 x 63 in. unframed. Edition: 25 + 8 proofs. Courtesy Catharine Clark Gallery.
Zarouhie Abdalian, from chalk mine hollow (i), 2017. Hydrocal. 4 7/8 x 2 1/2 x 2 1/4 in. Courtesy Altman Siegel.
Nick Makanna, Rune XXXVI, 2020. Glazed ceramic. 46 x 12 x 10 in. Courtesy Guerrero Gallery.
Solange Roberdeau, Night Sky Over the Taos Mesa, 2018. Walnut ink, sumi ink, graphite, acrylic, copper leaf, and oxidized leaf on watercolor paper. 22 1/2 x 28 1/2 in. Courtesy Municipal Bonds.
Dawoud Bey, Harlem Redux: Lenox Lounge ll. Photographs, Archival pigment prints. 40 x 48 in. (each). Courtesy Rena Bransten Gallery.
Mildred Howard, There is Nothing that Does Not Exist, 2010. Sculpture. 35 1/2 x 72 x 16 in. Courtesy Anglim/Trimble.
Jacob Hashimoto, A Wilderness of Lamps, 2019. Bamboo, acrylic, paper, wood, and Dacron. 66 x 60 x 8 in. Courtesy Anglim/Trimble.

Creativity Explored's Ajit Chauhan Walk Through from Adjacent on Vimeo.

Works by Creativity Explored artists in collaboration with Alicia McCarthy, curated by Ajit Chauhan, with thanks to Cléa Massiani.
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Works by Creativity Explored artists in collaboration with Alicia McCarthy, curated by Ajit Chauhan, with thanks to Cléa Massiani.
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Daniel Li, Untitled (Trucks), 2019.
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Joan Wulf, Carbon 4, 2019. Carbon soot on paper. 55 x 43 in. Courtesy Themes + Projects.
Joan Wulf, Carbon 5, 2019. Carbon soot on paper. 55 x 43 in. Courtesy Themes + Projects.
Deborah Oropallo, Video Frame: Tornado, 2018. Photomontage on paper. 24 1/2 x 35 3/4 in. Courtesy Catharine Clark Gallery.
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