Jud Bergeron, Shiver, 2017. Fabricated wood and automotive paint. 108 x 61 x 26 in. Courtesy Nancy Toomey Fine Art.
Lava Thomas, Freedom Song #2, 2018. Tambourines, Pyrographic calligraphy on leather, suede, grosgrain ribbon, mirrored acrylic disc. 72 x 145 x 2 in. Courtesy Rena Bransten Gallery.
Tameka Norris (T.J. Dedeaux-Norris), Pass Rd #2, 2015. Found fabric, human hair, found objects on wood panel. 40 x 60 in. Courtesy Rena Bransten Gallery.
Gay Outlaw, Jersey Twist, 2004. Wool felt, foam, thread. 33 1/2 x 13 x 21 in. Courtesy of the artist.
Aïda Muluneh, Captive Conscience - Part Two, (Memory of Hope Series), 2017.
Aïda Muluneh, The Amusement At The Gate, (Memory of Hope Series), 2017.
Aïda Muluneh, Captive Conscience - Part One, (Memory of Hope Series), 2017.
Bovey Lee, Power Plant – The Butterfly Dream, 2008. Chinese rice paper.50 3/4 x 35 3/4 in. Courtesy Rena Bransten Gallery.
Zarouhie Abdalian, brunt (ii) Installation, 2017. Steel tool head. 4 3/8 x 1 5/8 x 1 5/8 in. Courtesy Altman Siegel.
Zarouhie Abdalian, brunt (ii), 2017. Steel tool head. 4 3/8 x 1 5/8 x 1 5/8 in. Courtesy Altman Siegel.
Sandow Birk, Clearing the Brush from the Temple of Unbelief in the series "Imaginary Monuments,", 2018.
Sandow Birk, The Abandoned Monument to Income Equality in the series "Imaginary Monuments," 2018.
Sandow Birk, Proposal for a Monument to the Declaration of Independence (and a Pavilion to Frederick Douglass), 2018.
Sandow Birk, Hiking in to the Monument to the Age of the World, 2018.
Sandow Birk, Proposal for a Monument to the Riot Act in the series "Imaginary Monuments," 2018.
Sandow Birk, The Garden of Useless Platitudes and the Palace of Pretension from the series “Imaginary Monuments,” 2016.
Vik Muniz, Surfaces: Gibi, 2020. Mixed media, one of a kind. 54 1/2 x 78 in. Courtesy Rena Bransten Gallery.
James Shefik, Hollow, 2020. Wood, rope, paint. 20 x 42 x 72 inches. Courtesy Jack Fischer Gallery.
James Shefik, Hollow detail, 2020. Wood, rope, paint. 20 x 42 x 72 inches. Courtesy Jack Fischer Gallery.
Sandow Birk, Monument to the Constitution of the United States in the series “Imaginary Monuments”, 2011-2012. Direct gravure etching on nine copper plates printed on nine sheets of handmade gampi paper, joined and backed with sekishu kozo paper. Co-published by Mullowney Printing and Catharine Clark Gallery, San Francisco. 48 x 63 in. unframed. Edition: 25 + 8 proofs. Courtesy Catharine Clark Gallery.
Zarouhie Abdalian, from chalk mine hollow (i), 2017. Hydrocal. 4 7/8 x 2 1/2 x 2 1/4 in. Courtesy Altman Siegel.
Nick Makanna, Rune XXXVI, 2020. Glazed ceramic. 46 x 12 x 10 in. Courtesy Guerrero Gallery.
Solange Roberdeau, Night Sky Over the Taos Mesa, 2018. Walnut ink, sumi ink, graphite, acrylic, copper leaf, and oxidized leaf on watercolor paper. 22 1/2 x 28 1/2 in. Courtesy Municipal Bonds.
Dawoud Bey, Harlem Redux: Lenox Lounge ll. Photographs, Archival pigment prints. 40 x 48 in. (each). Courtesy Rena Bransten Gallery.
Mildred Howard, There is Nothing that Does Not Exist, 2010. Sculpture. 35 1/2 x 72 x 16 in. Courtesy Anglim/Trimble.
Jacob Hashimoto, A Wilderness of Lamps, 2019. Bamboo, acrylic, paper, wood, and Dacron. 66 x 60 x 8 in. Courtesy Anglim/Trimble.
Evelyn Reyes, Fence with Carrots (Turqoise), 2003.
Evelyn Reyes, Fence with Carrots (Yellow), 2003.
Evelyn Reyes, Fence, 2002-2003.
Evelyn Reyes, Fences with Carrots, 2002-2003.
Evelyn Reyes, Fence with Carrots (Red), 2003.
Evelyn Reyes, Fence with Carrots (Brown), 2002-2003.
Evelyn Reyes, Coffee Cups (purple), 2002-2003.
Evelyn Reyes, Fence with unnamed shape (Yellow), 2003.
Evelyn Reyes, Fence with Carrots (Red), 2003.
Evelyn Reyes, Fence with unnamed shape (Green), 2003.
Evelyn Reyes, Fence with Sandwich (Salmon), 2002-2004.
Evelyn Reyes, Fence with Sandwich (Green), 2002-2004.
Evelyn Reyes, Fence with Carrots (Marigold), 2002-2004.
Evelyn Reyes, Coffee Cups, 2002-2003.
Evelyn Reyes, Coffee Cups (Red), 2002-2009.
Works by Creativity Explored artists in collaboration with Alicia McCarthy, curated by Ajit Chauhan, with thanks to Cléa Massiani.
Works by Creativity Explored artists in collaboration with Alicia McCarthy, curated by Ajit Chauhan, with thanks to Cléa Massiani.
James Miles, Untitled, 2019.
James Miles, Skeleton of Snake, 2010-2018.
John Patrick McKenzie, 1980, 2008-2009.
Evelyn Reyes, Fence with Bell (red), 2003.
James Miles, Untitled, 2018.
Roland Record, Untitled, 2018.
Roland Record, Untitled, 2020.
Pamela Pianchachi, Untitled, 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Daniel Li, Untitled (Trucks), 2019.
Joan Wulf, Carbon 4, 2019. Carbon soot on paper. 55 x 43 in. Courtesy Themes + Projects.
Joan Wulf, Carbon 5, 2019. Carbon soot on paper. 55 x 43 in. Courtesy Themes + Projects.
Deborah Oropallo, Video Frame: Tornado, 2018. Photomontage on paper. 24 1/2 x 35 3/4 in. Courtesy Catharine Clark Gallery.
Our site makes limited use of cookies to improve your browsing experience.
