Solange Roberdeau | Beyond Latitude

Municipal Bonds
February 6 – April 10, 2021

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Solange Roberdeau, Continuity: Space with Rain (Diptych), 2020. Sumi ink, graphite, acrylic and 21K moon gold leaf on Kozo wash. 20 x 18 1/2 in. (each). SR106.
Solange Roberdeau, CA Parliament (2), 2017. Sumi ink and cotton thread on Arches watercolor paper. 28 x 22 1/2 in. SR103.
Solange Roberdeau, Ebb, 2017. Sumi ink and cotton thread on Arches watercolor paper. 28 3/4 x 22 1/2 in. SR104.
Solange Roberdeau, A Parliament (1), 2017. Sumi ink and cotton thread on Arches watercolor paper. 28 3/8 x 22 1/2 in. SR102.

Beyond Latitude speaks to perception and place, and also to the nuanced pairings that make up moments, to the calls and to the responses. It is a group of drawings about the spark-quick spaces between serendipity and order, and between mental projection and stopping to look again.”

— Solange Roberdeau

Solange Roberdeau, Continuity: Passage (Diptych), 2020. Sumi ink, graphite and acrylic on Kozo washi. 20 1/4 x 18 3/4 (each). SR105.
Solange Roberdeau, Interjections W, V, B (1), 2017.
Solange Roberdeau, Interjections W, V, B (2), 2017.
Solange Roberdeau, Interjections W, V, B (3), 2017.
Solange Roberdeau, Interjections W, V, B (4), 2017.-web
Solange Roberdeau, Interjections W, V, B (5), 2017.
Solange Roberdeau, Interjections W, V, B (6), 2017.
Solange Roberdeau, Interjections W, V, B (7), 2017.
Solange Roberdeau, Interjections W, V, B (8), 2017.-web
Solange Roberdeau, Interjections W, V, B (9), 2017.-web
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Solange Roberdeau, Continuity: Movement to Moments (Diptych), 2020. Sumi ink, graphite, acrylic and 21K moon gold leaf on Shiramine washi. 20 1/2 x 14 1/2 in (each). SR108.
Solange Roberdeau, Continuity: Two Views (Diptych), 2020. Sumi ink, graphite and acrylic on bleached Thai mulberry paper. 30 3/4 x 22 in. (each). SR107.
Solange Roberdeau, September Complex (1), 2020.
Solange Roberdeau, September Complex (3), 2020.
Solange Roberdeau, September Complex (4), 2020.
Solange Roberdeau, September Complex (2), 2020.
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Solange Roberdeau, Water Song (1 and 2), 2020. Sumi ink, walnut ink, graphite and oxidized copper leaf on 500 gsm Somerset paper. 7 x 5 in. (each). SR122.
Solange Roberdeau, Water Song (3 and 4), 2020. Sumi ink, walnut ink, graphite and oxidized copper leaf on 500 gsm Somerset paper. 7 x 5 in. (each). SR123.

Solange Roberdeau

Roberdeau (b. 1982, Albion, CA) lives and works in Northern California. She received her MFA from the Maryland Institute College of Art, Baltimore, MD in 2012, and holds a BFA from the Rhode Island School of Design, Providence, RI. She is included in the current exhibition, “Contemporary Art Taos/2020,” at the Harwood Museum of Art, Taos, NM. She has shown at Flux Factory, Long Island City, NY; the International Print Center, Manhattan, NY; Revolt Gallery, Taos, NM; Arcade Gallery, Cairo, Egypt; the Institute Library, New Haven, CT; Gross McCleaf Gallery, Philadelphia, PA; and Cobalt Gallery, Mendocino, CA. She has received Artist in Residence fellowships from the Helene Wurlitzer Foundation, Taos, NM, the Josef and Anni Albers Foundation, Bethany, CT, and Can Serrat, El Bruc, Spain. This is her first solo exhibition with Municipal Bonds.

Municipal Bonds

Municipal Bonds—our name as well as our purpose—is a symbolic play on words. Municipalities form and encourage a concentration of people and ideas, where bonds are the connections and strengths between us. Conceived in the Bay Area, CA in 2019, Municipal Bonds is a contemporary art gallery, international in scope and cross-cultural by intention. Founded and directed by Emily Miller, Municipal Bonds seeks to enhance artists’ support, development, and exposure; and to increase the diversity of art showcased for the betterment of community, collectors, and creativity.

For all enquiries, please contact Emily Miller at 917.450.0583 or info@municipalbonds.art.